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Marthas Vineyard


 Archives:Aug 2009
July 2009
May 2009
Apr 2009



Painting on Martha's Vineyard

by Linda Apriletti on 8/30/2009 1:52:09 PM
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Beetle and Boat, 10" x 12"

This entry is about my most recent trip the beginning of August to Martha's Vineyard.  An island off the coast of Massachusetts, it is an idyllic place for artists.  I was visiting friends and had  great transportation to get around with a bike and trailer to haul my painting gear (see below). The first day I spent a good amount of time just riding the bike around and looking for places I might want to paint. The hardest part was deciding. I started off with a painting of the wildflowers in the field and then rode into Edgartown and did a painting of someone's garden and called it quits for the day.  The following day was foggy and dismal so I biked over to Vineyard Haven to look for working boats to paint.  When I got there I saw this old boat on stands with a VW Bug parked next to it and thought they made an interesting duo.
    Edgartown Lighthouse 10" x 12"
The following day turned out sunny and bright so I painted the lighthouse. I think lighthouses are great and each has its own charm.  I wanted to show Chappaquidick across the water and the clumps of wild beach roses growing in clumps all around on the sand.  There are 5 lighthouses on the Vineyard so I have a goal of painting each of them on future visits.  Here is my bike and trailer setup, painting in a field near MorningGlory Farm.
.

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Painting in California

by Linda Apriletti on 7/8/2009 9:23:51 PM
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10" x 12" Endurance, Berkeley Marina
Last week I visited my brother who lives in Berkeley, California and did some painting while there.  I joined my sister-in-law who is taking a watercolor class and painted with the group at the Berkeley Marina.  I liked the calmness of the water in the foreground contrasted against the visual busyness of the boats in the marina. I also liked that vantage point best due to the fogbank and distant Berkeley Hills behind the marina boats.  I wanted to show that atmosphere in my painting.  I was close to being finished with the painting when the owner of the Endurance went on board and was preparing the boat to leave.  He saw me on the shore and asked if I was painting his boat and left his boat and walked over with his old dog to see the painting.  The boat owner said Endurance has been docked there in that one spot for 25 years and he was thrilled to see a painting of his boat.

 Afternoon in John Muir's Plum Orchard,  9" x 12"

One afternoon we took a drive to Martinez, located about an hour east of the Bay Area, to visit the John Muir Historic Site where John Muir's home is located.  We toured John Muir's home, his fruit orchards and the Martinez adobe home.  The rangers said we were welcome to eat any fruit fallen from the trees.  The apricots and plums were getting ripe so we easily ate our entry fee's worth of delicious tree-ripened fruit.  The late afternoon light was beautiful the way it lit up the trees and I went back and forth trying to decide whether to paint apricot or plum orchards. I decided on the plum orchard because I really liked the sidelighting on the trees from the afternoon sun.  The trees were closer together and the backdrop of the dark trees and hillside behind the orchard helped made the lighting on the trees stand out in a nice contrast.  I set up my easel to paint in the cast shade beneath a sequoia tree that John Muir had personally planted about 100 years ago. The combination of experiences like this really make me love painting outdoors.
  
Morning and Old Boat, Tomales Bay  9" x 12"

Over the weekend we went to Point Reyes National Seashore which is about an hour north of Berkeley.  We stayed at a B&B called Dancing Coyote Beach which was in Inverness, on Tomales Bay. We arrived as the sun was setting and if I had the time and light I could have painted a painting in every direction.  I slipped out at dawn while everyone else was asleep and walked around by the bay taking photos and trying to decide what to paint.  The water was very calm and the sun was just starting to come up over the hills across the bay and I knew I wanted to paint the water and hills.  I stayed here more than 5 years ago and the decrepit boat was grounded on the beach back then.  It looked a bit worse now so I decided to paint the boat with the water and hills since I'm sure it has a story and history behind it. The part of the boat facing me was entirely in shadow and as I painted, the sun got higher in the sky and started to reflect the color of the hills into the water. The tide was going out leaving mud along the banks, and the wind started to pick up and riffle the water, losing the reflections.  I found the constantly changing conditions made this painting very challenging and had to rely on the dark/light shapes I painted in initially and the thumbnail sketch I did to remember the light and shadow areas which had completely changed by the time I finished. 
I had a wonderful time visiting my brother and his family and came home with several paintings and the experience of painting something entirely different from my usual south Florida landscapes.

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Painting the Cowhorn Orchid, 4/11/2009

by Linda Apriletti on 5/7/2009 10:30:25 PM
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Cowhorn Orchid on the Ghost Prairie, 10" x 12"
In early April I was invited by my friend Jeff Ripple to join him on a hike to find the cowhorn orchid (cyrtopodium punctatum) he had been told was blooming in the Everglades.  Jeff is a natural history author and large format landscape photographer whose primary camera is a 4x5. Some of his photography can be seen on his website at www.jeffripple.com . Last spring Jeff went looking for this native orchid to photograph it but didn't have an accurate gps coordinate and never found it.  This time we had a bit of trouble finding the beginning point but eventually got it right and started off on our hike through the mangroves.  These native orchids are pretty scarce now as they are a victim of thoughtless orchid collectors so I did not record the gps like I do with most of my other paintings.

The mosquitoes were already pretty fierce after a bit of rain the week earlier and they made their presence known.  I learned too that it is best to stay on the mangrove roots close to their trunks when hiking through them.  Jeff made a mistep and ended up knee-high in very nasty smelling mangrove gunk early on. I took note of where he stepped and made it through clean. Then we arrived at the salt marsh and I never knew such a place existed in the Everglades. The colors all around us were amazing.  The saltwort is filled with so much color from bright yellow-green to soft green with bits of crimson and orange. Scattered all around were white skeletons of very old dead buttonwood trees that had been felled by Hurricane Donna and the hurricane of 1935.  We kept meandering here and there to each beautiful piece of dead tree photographing them and the blooming tillandsias.  Everywhere I turned I could see paintings! I would have been happy just setting up there to paint some bromeliads and tree skeletons but we kept going in search of the orchid.  

After walking for awhile, I noticed about 100 yards away a large mass of fuzziness of a different color and we headed in that direction, anticipating it might be the cowhorn (or cigar) orchid we were looking for.  As we got close, I could see this orchid plant was truly magnificent.  I've never seen anything like it. It had huge sprays of orchid flowers bursting from it in all directions and was out in full sun on top of a 5' stump.  After admiring and taking some pictures, we then headed back to the van to get our equipment since I was going to do a plein air painting of the orchid while Jeff set up his 4x5 to wait for the right light to photograph it.  
 
The hike back with our equipment seemed noticeably shorter since we were focused on getting back to the orchid and setting up. By then it was around 5:30 so I laid out the paint and got to work getting down as much information as I could on my canvas about the orchid and surrounding local colors of that area.  Since this is a one of a kind painting, I plan to use this study to make a larger studio painting this summer to be part of an Everglades collection that I'm working on.  I want to reflect the vastness of the buttonwood graveyard more in that painting since it was an amazing location.  I was using the last bit of sunlight to work on my painting and then packed up so we could hike out of there before it got dark.  We had headlamps just in case, but I wouldn't want to try getting through those mangroves in the dark.  As we were walking, Jeff made some comment about seeing some 'Big ole rattlers' when he'd been there before...I said "what!?!?!" and he said "never-mind, I'll tell you later."  I was wearing the snake-proof gaiters he had offered which helped immensely with walking through the scratchy vegetation.  We made it back through the mangroves without getting into the muck, quickly threw our gear into the back of the van and took off, leaving the swarming mosquitoes asking what happened to dinner. Then Jeff told me about the large rattlesnakes on the ghost prairie.  It had been a great day I'm very glad they were not part of this adventure! 
                

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Painting at Cedar Key, continued...painting until dark

by Linda Apriletti on 4/30/2009 8:40:27 PM
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Waiting for High Tide, 9" x 12" oil

After reviving ourselves with a snack and cold drinks by the water, we headed out again to a few spots we noticed that had potential. We had passed this boat several times by the side of the road and it looked interesting enough to investigate. The light was coming in nice from the side so all 3 of us set up alongside the road and painted the boat. We could have gotten a job there as official traffic-calmers, the way the cars slowed to a crawl when passing by to see.

It was around 6 pm and the sun was dropping, which also brought out the no-see-ums, mosquitoes and buzzing swarms of gnats. That meant fast painting and really put pressure on us to just get down the key information and get out of there before we lost the effect of the light. I had been warned before about painting boats...they often get moved so you have to paint quickly to get them down. In this case we thought the boat laying on the grass made it pretty unlikely we would lose our focal point until a disheveled, heavily bearded man muttering to himself came over and started checking out the boat. He piddled around it a bit, moved a few things inside, but thankfully he left the boat where it was. He came over to see what we were doing and was surprised to see his boat as the subject of all our paintings.

Even more suicidal gnats came out and pitched themselves onto the wet paint, plus the no-see-ums were fierce. I sprayed down again with bugspray and that may have driven more of the pesty creatures onto Perri and Jeanine because they soon packed it up. I spent another 20 minutes on my painting, determined to get close to finishing, and then called it a day too. I was able to make some finishing touches at home. Overall we had a great time painting at Cedar Key and it's someplace I would love to go back to visit and paint some more. The salt marshes were a new challenge, and I heard the outer keys are also very beautiful to see. That sounds like another painting roadtrip in the future.
  Me and Perri, traffic calmers


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Cedar Key Salt Marshes

by Linda Apriletti on 4/30/2009 12:35:45 PM
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Cedar Key Salt Marshes, 10" x 12"
Painted at the salt marshes before crossing onto Cedar Key.

Our road trip to paint at Fanning Springs State Park the weekend of April 24-26 was a lot of fun.  I drove up with my friends Jeanine and Perri and we rented a cabin there for 2 nights. However as we entered the park, the sign on the office window said "...el agua es muy moreno y feo..." translating to the water is very brown and ugly. The heavy rains caused the Suwanee River to overflow into the springs turning them all brown instead of crystal clear blue.  And then within 5 minutes of walking on the trail, Perri looked down and a tick was rapidly crawling up her leg and another tick was on my shoe. We ditched the idea of painting at Fanning Springs and instead drove west the next morning to see what we could find of interest in Cedar Key to paint.  
As we approached the gulf coast, I slowed down as we came upon the salt marshes before the town. It was morning and the light on the water and marshes was beautiful and we all agreed to paint first at the marshes.  The cedar trees distinguished themselves as dark green masses among the pines making up the hammock areas, and the grasses alternated between shades of green, brown and maroon so there was a lot of color in the landscape. After painting about 2 hours we packed up and headed into town for some afternoon refreshments, making a few detours along the way to check out potential painting spots near the water for the late afternoon. 




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All images (c) Linda Apriletti. (305) 883-8494. Email: MiamiLin@aol.com